MacBook Pro M1 Pro
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M1 Pro chip
The new M1 Pro processor allows professionals to create what previously seemed impossible. It has more cores and more combined memory (up to 10 cores in the CPU and up to 16 in the graphics). Neural Engine system, dedicated media processors for encoding and decoding files with support for H.264, HEVC and ProRes codecs. This chip is designed for ambitious people and large-scale tasks that other specialists simply won't take on.
Scary fast
Scary fast
Battery life
Time is precious for professionals. Therefore, the MacBook Pro M1 Pro received an increase in autonomy and support for fast charging in order not to waste the most valuable resource. You can compile up to four times more code in Xcode and spend up to twice as long processing images in Lightroom Classic20 before the battery dies.
14” model
16” model
Liquid Retina XDR
Get a screen with extreme dynamic range and million-to-one contrast. Both photos and videos in HDR format look great on such a screen. Do not feel limited in creativity, create masterpieces and consider them in the smallest details. ProMotion support allows you to get a smooth picture when scrolling web pages and in computer games.
macOS Monterey
The power of the Apple processor in combination with an advanced operating system opens up all the advantages of the device for professionals. Now you can use one input device to work simultaneously on your Mac and iPad — with Universal Control. Automate complex tasks using Quick Commands. Share images from your screen, watch movies together, and work on projects over FaceTime. And the focus mode will help you concentrate by temporarily turning off unnecessary messages.
Ema Norton –
Usually, we prefer the real thing, wine without sulfur based preservatives, real butter, not margarine, and so we’d like our layouts and designs to be filled with real words, with thoughts that count, information that has value.
Store manager Mr. Mackay –
Or else, an alternative route: set checkpoints, networks, processes, junctions between content and layout. Depending on the state of affairs it may be fine to concentrate either on design or content, reversing gears when needed.
Oliwia Whitley –
If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.
Store manager Mr. Mackay –
Rigid proponents of content strategy may shun the use of dummy copy but then designers might want to ask them to provide style sheets with the copy decks they supply that are in tune with the design direction they require.